Consider the Gettysburg Address or the
Parable of the Prodigal Son. These convey their thought and feeling
perfectly, yet both are simple--exquisitely simple. They strike us indeed
as being inevitable--as if their phrasing could not have been other than
it is. They have, they are, finality. What could glittering phraseology
add to them? Nothing; it could only mar them. Yet Lincoln and the
Scriptural writers were not afraid to use big words when occasion
required. What they sought was to make their speech adequate without
carrying a superfluous syllable.
"The sun set" is more natural and effective than "The celestial orb that
blesses our terrestrial globe with its warm and luminous rays sank to its
nocturnal repose behind the western horizon." Great writers--the true
masters--have often held "fine writing" and pretentious speaking up to
ridicule. Thus Shakespeare has Kent, who has been rebuked for his
bluntness, indulge in a grandiloquent outburst:
"Sir, in good sooth, in sincere verity,
Under the allowance of your grand aspect,
Whose influence, like the wreath of radiant fire
On flickering Phoebus' front,--"
No wonder Kent is interrupted with a "What meanest by this?" Sometimes
great writers use ornate utterance for humorous effects.
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