The senses and that which is the
Actor should be ascertained by apprehension of their respective
functions. The conditions or states called Sattwa, Rajas, and Tamas,
depend upon the senses for their refuge or formation. The senses exist
for simply seizing the impressions of their respective objects. The Mind
has doubt for its function. The Understanding is for ascertainment. The
Kshetrajna is said to be only an inactive witness (of the functions of
the others). Sattwa, Rajas, Tamas, Time, and Acts, O Bharata, these
attributes direct the Understanding. The Understanding is the senses and
the five fore-mentioned attributes.[1444] When the Understanding is
wanting, the senses with the mind, and the five other attributes (viz.,
Sattwa, Rajas, Tamas, Time, and Acts) cease to be. That by which the
Understanding sees is called the eye. When the Understanding hears, it is
called the ear. When she smells, she becomes the sense of scent; and when
she tastes the various objects of taste, she comes to be called by the
name of tongue. When again she feels the touch of the various objects of
touch, she becomes the sense of touch. It is the Understanding that
becomes modified diversely and frequently. When the Understanding desires
anything, she becomes Mind. The five senses with the Mind, which
separately constitute the foundations (of the Understanding), are the
creations of the Understanding. They are called Indriyas. When they
become stained, the Understanding also becomes stained.
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