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Irving, Washington, 1783-1859

"The Sketch-Book of Geoffrey Crayon"

The greater part has undergone alterations
and been adapted to modern tastes and modes of living: there is a
fine old oaken staircase, and the great hall, that noble feature
in an ancient manor-house, still retains much of the appearance
it must have had in the days of Shakespeare. The ceiling is
arched and lofty, and at one end is a gallery in which stands an
organ. The weapons and trophies of the chase, which formerly
adorned the hall of a country gentleman, have made way for family
portraits. There is a wide, hospitable fireplace, calculated for
an ample old-fashioned wood fire, formerly the rallying-place of
winter festivity. On the opposite side of the hall is the huge
Gothic bow-window, with stone shafts, which looks out upon the
courtyard. Here are emblazoned in stained glass the armorial
bearings of the Lucy family for many generations, some being
dated in 1558. I was delighted to observe in the quarterings the
three white luces by which the character of Sir Thomas was first
identified with that of Justice Shallow. They are mentioned in
the first scene of the "Merry Wives of Windsor," where the
justice, is in a rage with Falstaff for having "beaten his men,
killed his deer, and broken into his lodge.


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