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Irving, Washington, 1783-1859

"The Sketch-Book of Geoffrey Crayon"

It opened into a spacious quadrangle
forming the courtyard of a stately Gothic pile, the portal of
which stood invitingly open.
It was apparently a public edifice, and, as I was
antiquity-hunting, I ventured in, though with dubious steps.
Meeting no one either to oppose or rebuke my intrusion, I
continued on until I found myself in a great hall with a lofty
arched roof and oaken gallery, all of Gothic architecture. At one
end of the hall was an enormous fireplace, with wooden settles on
each side; at the other end was a raised platform, or dais, the
seat of state, above which was the portrait of a man in antique
garb with a long robe, a ruff, and a venerable gray beard.
The whole establishment had an air of monastic quiet and
seclusion, and what gave it a mysterious charm was, that I had
not met with a human being since I had passed the threshold.
Encouraged by this loneliness, I seated myself in a recess of a
large bow window, which admitted a broad flood of yellow
sunshine, checkered here and there by tints from panes of colored
glass, while an open casement let in the soft summer air. Here,
leaning my bead on my hand and my arm on an old oaken table, I
indulged in a sort of reverie about what might have been the
ancient uses of this edifice.


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