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Irving, Washington, 1783-1859

"The Sketch-Book of Geoffrey Crayon"

Her
dress of white tissue was looped up to enable her to walk with
more freedom. She was accompanied by two female attendants, and
about her sported a little hound decorated with bells, probably
the small Italian hound of exquisite symmetry which was a parlor
favorite and pet among the fashionable dames of ancient times.
James closes his description by a burst of general eulogium:
In her was youth, beauty, with humble port,
Bounty, richesse, and womanly feature:
God better knows than my pen can report,
Wisdom, largesse,+ estate,++ and cunning& sure.
In every point so guided her measure,
In word, in deed, in shape, in countenance,
That nature might no more her child advance.
* Wrought gold.
+ Largesse, bounty.
++ Estate, dignity.
& Cunning, discretion.
The departure of the Lady Jane from the garden puts an end to
this transient riot of the heart. With her departs the amorous
illusion that had shed a temporary charm over the scene of his
captivity, and he relapses into loneliness, now rendered tenfold
more intolerable by this passing beam of unattainable beauty.
Through the long and weary day he repines at his unhappy lot, and
when evening approaches, and Phoebus, as he beautifully expresses
it, had "bade farewell to every leaf and flower," he still
lingers at the window, and, laying his head upon the cold stone,
gives vent to a mingled flow of love and sorrow, until, gradually
lulled by the mute melancholy of the twilight hour, he lapses,
"half-sleeping, half swoon," into a vision, which occupies the
remainder of the poem, and in which is allegorically shadowed out
the history of his passion.


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