To this mingling of cultivated and rustic society may also be
attributed the rural feeling that runs through British
literature; the frequent use of illustrations from rural life;
those incomparable descriptions of Nature, that abound in the
British poets--that have continued down from "The Flower and the
Leaf," of Chaucer, and have brought into our closets all the
freshness and fragrance of the dewy landscape. The pastoral
writers of other countries appear as if they had paid Nature an
occasional visit, and become acquainted with her general charms;
but the British poets have lived and revelled with her--they have
wooed her in her most secret haunts--they have watched her
minutest caprices. A spray could not tremble in the breeze--a
leaf could not rustle to the ground--a diamond drop could not
patter in the stream--a fragrance could not exhale from the
humble violet, nor a daisy unfold its crimson tints to the
morning, but it has been noticed by these impassioned and
delicate observers, and wrought up into some beautiful morality.
The effect of this devotion of elegant minds to rural occupations
has been wonderful on the face of the country. A great part of
the island is rather level, and would be monotonous, were it not
for the charms of culture; but it is studded and gemmed, as it
were, with castles and palaces, and embroidered with parks and
gardens.
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