I remarked also in particular a statue of
Marsyas attached to a tree and flayed. It is of a pale reddish marble, and
tho' I perfectly agree with Forsyth, that colored marble is not at all
adapted to statuary, yet in this instance it gives a wonderful effect and
is strikingly suitable, as the slight reddish colour gives a full idea of
the flesh after the skin is torn off. It makes one shudder to look at it.
In one of the halls are the statues of Niobe and her daughters, a beautiful
group. Then there is the celebrated copy of the group of the Laocoon by
Bandinelli, which none but the most perfect and skilful connoisseur could
distinguish from the original. But it is totally impossible for me to
describe the immense variety of paintings, historical, portrait and
landscape; the statues single or in groups; the sarcophagi, altars,
bas-reliefs, inscriptions, bronzes, medals, vases, baths, candelabra,
cameos, Etruscan and Egyptian idols with which this admirable Museum is
filled. In a line on each side of the Gallery near the ceiling is a
succession of portraits in chronological order of the Grand Dukes of
Tuscany, the Germanic Emperors, the Kings of France, of England, of Spain,
of Portugal, of the Popes and of the Ottoman Emperors.
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