It was Buonaparte who, the moment the picture was discovered,
ordered it to be put in mosaic. No! the French were the protectors and
encouragers, and by no means the destroyers of the works of art; and this
ridiculous story of the picture being used as a target was probably
invented by the priesthood, who seemed to have taken great delight in
imposing on poor Eustace's credulity. To me it seems that such a story
could only have been invented by a monk, and believed and repeated by an
old woman or a bigot. The priests and French emigrants have invented and
spread the most shameful and improbable calumnies against the French
republicans and against Napoleon, and that credulous gull John Bull has
been silly enough to give full credence to all these tales, and stand
staring with his eyes and mouth open at the recital, while a vulgar jobbing
ministry (as Cobbet would say) _picked his pockets_.
Quite of a piece with this is the said Mr Eustace's bigotry, in not chusing
to call Lombardy by its usual appellation "Lombardy," and affectedly
terming it "the plain of the Po." Why so, will be asked? Why because Mr
Eustace hates the ancient Lombards, and holds them very nearly in as much
horror as he does the modern French; because, as he says, they were the
enemies of the Church and made war on and despoiled the Holy See.
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