The next piece I saw was the _Cinnna_ of Corneille; and here it was that I
beheld Talma for the second time. I was of course highly pleased, tho' I
was rather far off to hear very distinctly; this was, however, no very
great loss, as I was perfectly well acquainted with the tragedy. Talma's
gestures, his pause's, his natural mode of acting gave a great relief to
the long declamation with which this tragedy abounds. When this tragedy was
given it was during the time that poor Labedoyere's trial was going on, and
the allusions to Augustus' clemency were eagerly seized and applauded. It
was hoped that Louis XVIII would imitate Augustus. Vain hope!
I have seen _Phedre_; the part of Phedre by that admirable actress Mlle
Duchesnois, who performs the part so naturally and with so much passion
that we entirely forget the extreme plainness of the person. She acts with
far more feeling and pathos than Mlle Georges. I shall never be able to
forget Mlle Duchesnois in _Phedre_. She gave me a full idea of the
impassioned Queen, nor were it possible to depict with greater fidelity the
"Venus toute entiere a sa proie attachee," as in that beautiful speech of
Phedre to Oenone wherein she reveals her passion for Hippolyte and
pourtrays the terrible struggle between duty and female delicacy on the one
hand, and on the other a flame that could not be overcome, convinced as it
were of the complete inutility of further efforts of resistance and
invoking death as her only refuge.
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