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Croce, Benedetto, 1866-1952

"Aesthetic as Science of Expression and General Linguistic"

" Thus the natural beauty, which is
perceived by the pure heart, when contemplating some object untouched by
the hand of man, is far superior to the work of the artist. Ruskin was
too little capable of analysis to understand the complicated
psychologico-aesthetic process taking place within him, as he
contemplated some streamlet, or the nest of some small bird.
At Naples flourished between 1861 and 1884 Antonio Tari, who kept
himself in touch with the movement of German thought, and followed the
German idealists in placing Aesthetic in a sort of middle kingdom, a
temperate zone, between the glacial, inhabited by the Esquimaux of
thought, and the torrid, dwelt in by the giants of action. He dethroned
the Beautiful, and put Aesthetic in its place, for the Beautiful is but
the first moment; the later ones are the Comic, the Humorous, and the
Dramatic. His fertile imagination found metaphors and similes in
everything: for instance, he called the goat the Devil, opposed to the
lamb, Jesus. His remarks on men and women are full of quaint fancies. He
granted to women grace, but not beauty, which resides in equilibrium.
This is proved by her falling down so easily when she walks; by her bow
legs, which have to support her wide hips, made for gestation; by her
narrow shoulders, and her opulent breast. She is therefore a creature
altogether devoid of equilibrium!
I wish that it were possible to record more of the sayings of the
excellent Tari, "the last joyous priest of an arbitrary Aesthetic,
source of confusion.


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