The
only formal activities that he recognizes are the moral and the
intellectual, and he denies altogether (against the sensualists) that
art can have anything to do with passion or sensuality. His intellectual
world consisted only of the logical and the intellectual, leaving out
the imaginative activity.
What is art for Schiller? He admits four modes of relation between man
and external things. They are the physical, the logical, the moral, and
the aesthetic. He describes this latter as a mode by which things affect
the whole of our different forces, without being a definite object for
any one in particular. Thus a man may be said to please aesthetically,
"when he does so without appealing to any one of the senses directly,
and without any law or end being thought of in connection with him."
Schiller cannot be made to say anything more definite than this. His
general position was probably much like Kant's (save in the case above
mentioned, where he made a happy correction), and he probably looked
upon Aesthetic as a mingling of several faculties, as a play of
sentiment.
Schiller was faithful to Kant's teaching in its main lines, and his
uncertainty was largely due to this. The existence of a _third sphere_
uniting form and matter was for Schiller rather an ideal conformable to
reason than a _definite_ activity; it was supposititious, rather than
effective.
Pages:
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305