For by sincerity is meant either the moral duty not to deceive
one's neighbour; and in that case Is foreign to the artist. For he, in
fact, deceives no one, since he gives form to what is already in his
mind. He would deceive, only if he were to betray his duty as an artist
by a lesser devotion to the intrinsic necessity of his task. If lies and
deceit are in his mind, then the form which he gives to these things
cannot be deceit or lies, precisely because it is aesthetic. The artist,
if he be a charlatan, a liar, or a miscreant, purifies his other self by
reflecting it in art. Or by sincerity is meant, fulness and truth of
expression, and it is clear that this second sense has nothing to do
with the ethical concept. The law, which is at once ethical and
aesthetic, reveals itself in this case in a word employed alike by Ethic
and Aesthetic.
VII
ANALOGY BETWEEN THE THEORETIC AND THE PRACTICAL
[Sidenote] _The two forms of practical activity._
The twofold grade of the theoretical activity, aesthetic and logical,
has an important parallel in the practical activity, which has not yet
been placed in due relief. The practical activity is also divided into a
first and second degree, the second implying the first. The first
practical degree is the simply _useful_ or _economical_ activity; the
second the _moral_ activity.
Economy is, as it were, the Aesthetic of practical life; Morality its
Logic.
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