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Nordau, Max Simon, 1849-1923

"The Malady of the Century"

How could she choose aright when her beauty roused men's
passion before she had had time to gain experience or judgment
enough to defend herself?
There were a thousand other attractions in this room. A picture, or
rather a sketch, by Goya, with all the fantastic want of finish, the
gorgeous dabs of color that make so many of that master's works like
the visions of delirium; on an inlaid table, a little Moorish
casket, through the crystal lid of which one saw a collection of old
Spanish coins of astounding dimensions; a small cabinet on the wall,
containing stars and orders, with their chains, on a white satin
ground; a trophy formed of a sword, gold spurs, epaulettes, and a
gold-fringed scarf; here and there great Catalonian knives with open
blades, daggers in rich sheaths and with engraved handles, and even
an open velvet-lined case with a pair of chased ivory pistols. Some
photographs on the chimney-piece and on the gold brocade-covered
piano arrested Wilhelm's attention. First of all, Pilar in two
different positions, then the pictures of three children, a girl and
two boys, and finally the full-length portrait of a gentleman in the
embroidered dress coat and sword of the diplomatic service, and the
handsome, vacuous, carefully groomed head of a fashion plate.


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